The
Medieval
Ensemble
of
London
The Ensemble collaborated widely with leading musicians at the time who were, wholly or in part, specialists in stylistic approaches in sympathy with the principals of Historically Informed Performance.
These are the outstanding singers and players who contributed to the Ensemble's performances, recordings and broadcasts - in many instances becoming regular members of the Ensemble, creating the recognisable sound palette of the group.
| | |
| Patrizia Kwella | Soprano |
| Margaret Philpot | Alto |
| | |
| Charles Brett | Countertenor |
| Michael Chance cbe | Countertenor |
| |
| Rogers Covey-Crump | Tenor |
| Joseph Cornwell | Tenor |
| Paul Elliott | Tenor |
| John Elwes | Tenor |
| Andrew King | Tenor |
| John Potter | Tenor |
| | |
| Michael George | Bass |
| Paul Hillier obe | Baritone |
| Geoffrey Shaw | Bass |
| David Beavan | Bass |
| | |
| Rachel Beckett | Flute, Recorder |
| Roger Brenner | Sackbut |
| William Hunt | Fiddle, Viol |
| Christopher Kite | Organ, Regal, Clavichord |
| Gregory Knowles | Percussion, Dulcimer |
| Jonathan Morgan | Flute, Recorder |
| Martin Pope | Sackbut, Slide Trumpet |
| Andrew Watts | Shawm |